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Eat the Rich

coffee time - evil eye
When I worked at BookPeople employees frequently posted magazine photos, articles and drawings on certain walls--not necessarily just the store cork boards. (The downstairs employee bathroom for example.) Creative people work in that store, and I suspect collage is just one of those things that goes with the territory. It was one of the things I loved about the atmosphere of the store--the free-associative, collaborative art that was the freight elevator and the bathroom. Anyway, one day someone tacked up a photo of Paris Hilton that went with the latest description of her vapid, oh-so-glamourus life of celebrity for the sake of celebrity. At some point, someone wrote the word "Eloi" on it. 

We did work in a bookstore that required its employees to read, after all.

I've stated before that I believe that one of science fiction/fantasy's best traditions is the ability to address sensitive subjects using story. This is one of the main qualities of literature which makes stories timeless--this ability to provoke thought in readers. Mind you, I'm not silly enough to believe that sci-fi can save the world, necessarily directly. However, I do believe that it can spark individuals to think for themselves--to give them practice at thinking much like practicing kung fu conditions the body--and that those individuals (who've practiced their thinking skills) can group together, come up with solutions, and save the world. Science fiction shouldn't provide the solutions. Propaganda is about providing solutions. (No need to think, kiddies. Here's the answer! Don't agree? You're wrong! Here, I'll show you by killing off/ending the world for all who disagree with my point in the story! Get it now?) Propaganda becomes dated. Literature, on the other hand, is an open-ended discussion. It's an interactive process. There's a reason why--when we come to the end of V for Vendetta--the totalitarian regime is over-thrown and then the story stops. Alan Moore doesn't propose an answer, only the problem. It is left to the reader to think of solutions. That part is left blank. Because we have to come up with our own answers, the end result is always fresh.

So, in the special roundtable discussion over at SFSignal with Elizabeth BearBradley P. BeaulieuCharles Stross, and Rob Ziegler has me thinking because during the discussion, Brad wrote, "Those novels that years ago readers might have been able to remain removed from the political left or right seem to be increasingly pigeon-holed by the fringes of our politics and so written off as propaganda. So while there might have been a time when literature was seen as a place for contemplation, I now wonder whether those days are numbered."

What makes me sad is that any author would say this. I'm with Rob Ziegler and Elizabeth Bear. To quote Rob "Taking the logic of a given value set or cultural behavior and stretching it until it breaks open and we get to see its core components, its relative strengths and absurdities, so that we can measure them for their true worth. Testing ideas to the point of destruction. Exactly."  Yes. That. Exactly. That's what literature is for--well, one of the big reasons.

Anyway, you should read the roundtable for yourself. See what you come up with to fill in the blanks.

Comments

( 3 comments — Leave a comment )
la_marquise_de_
Jun. 17th, 2012 09:32 am (UTC)
We are, I think, going through a period of resistance to discussion in that way, at least in parts of the Western world. There's a large section of vested interests who have considerable financial clout and control over the written word (and other media) at present, and they see no need for such discussion, as it doesn't serve their interests. (Fox vs the Muppets springs to mind -- Fox has only one acceptable narrative and it seeks to demonise or elide any conflicting ones). And in some places we also have an educational system which teaches how to analyse a book in terms of how it's written -- metaphors etc -- but shies away from political content (or omits it) for fear of offending those who control the purse strings. This can build up resistance to reading, and, in particular, resistance to reading which is not safe, or comforting, or 'fun' within very prescribed bounds. Faux news and their fellow travellers (the dreaded British tabloid press, for instance) plays into this by reinforcing and praising only that which fits the designed paradigm (that pro-rich, pro-capitalist, pro-subservience by the lower classes one).
In my head -- which is pinko socialist, as we know -- writers have a responsibility to subvert this whenever possible. But then, being a pinko socialist feminist, I would think that!
stina_leicht
Jun. 17th, 2012 04:12 pm (UTC)
i can totally see what you're saying, and that's why brad's comment concerned me. as a contrarian, i prefer that people think hard before joining the bullet-point quoting hordes. (and now we see why i don't like zombie stories.) :) also, the more this social climate exists, the more it is our job to struggle against it.

but then i'm a pinko liberal feminist too.
la_marquise_de_
Jun. 18th, 2012 12:31 pm (UTC)
Thinking first is always better.
And I don't like zombie stories either.
( 3 comments — Leave a comment )